Shooting gay porn outdoors!

April 23rd, 2009

One of my favorite ways to film porn is outdoors in the day time. Nothing beats the lighting, as well as the feeling of excitement, freedom and thrill, of a hot gay porn film in nature.

Unfortunately it is not always easy to find a property appropriate for shooting the naughty stuff outside. But I have been surprised how many acquaintances of mine have eagerly offered their land for a shoot. Even the more casual acquaintances jump at the chance to have a porn shoot done at their place. However, we need to be careful with this, as our model(s) may not be comfortable with an audience. That’s why we always advise the property owner that he may not be allowed to watch, and that it will be up to the model. Even if your model says yes, you may find he is uncomfortable once in the situation, and that could lead to performance problems.

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Making Gay Porn – Model’s Biggest Question

April 16th, 2009

The biggest question we get asked by models is of course ‘how much will I get paid?’

There are a number of variables that come into play when deciding how much to pay our models. First we try and find out what other producers are paying in your area. It also depends on how much we want out of the model in any given shoot. If we take him on location for a day the model may expect more money. Some models want more money if you put them in an action shoot. Depending on how much he’s been paid by other producers, an experienced model may demand more money.

We never pay by the hour, because some models can eat up a lot of time just trying to get hard. Generally we pay $300 for a first time two or three hour solo shoot – stills or video. Even if you are an amateur producer, you will have difficulty finding anyone to perform for you for less then that (at least if you are located in the US).

If we really like a model, we work with them a lot. A few examples of our favorite models to work with are Will West and Ardon Masters. They consistently show up on time, can fuck and cum on demand, and always give 110%. It’s not often you get guys as great as they are, which is why when you do you want to get some mileage out of them.

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Let’s Talk About – Gay Porn Lighting

April 9th, 2009

While I wish making gay porn was as easy as pushing a button and filming, there is actually a lot of technical skills involved. One of the most challenging yet important aspects of making porn is the lighting. After all, no matter how amateur you are nobody is going to want to watch your videos if you can’t see what’s gong on!

In this article I’m going to discuss setting up external lighting. While the built in flash on your camera can adequately expose your subject, it comes with some drawbacks. The image is flattened, harsh shadows may occur, and there is the constant risk of picking up red eye. By moving to external lighting, you can begin to eliminate these problems. Although the principals remain the same, regardless of the type of lighting used, I’m going to discuss this in terms of using an inexpensive halogen flood light system.

For a simple set up you will need two lights. This is referred to as two-point lighting. The lights need to be positioned in front of the subject at approximately 45 degree angles, very much like you would set up a pair of stereo speakers. These lights also need to be elevated, so they point down at a 30 to 45 degree angle. They need to be elevated so that shadows are cast onto the floor instead of the backdrop.

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Gay Porn Photography – Let’s get Technical!

April 2nd, 2009

Okay guys, here’s an article on gay porn photography for you. This is a good place to start for those of you wanting to try your hand at some amateur porn producing, since I think when you are starting out making gay porn it is best to first learn the basics of photography before getting into video producing, where you don’t have a controlled environment.

Shooting with an onboard flash will make your photos look more amateur, and may give you problems with red eye. You may also run into problems with the flash over exposing areas of the model’s body. For a more professional look, you need to use some sort of external lighting system. Professional flash or floodlights are expensive, and the flash systems may not be compatible with your digital camera. You can save a lot of money by working with floodlights that were never intended or designed for photography. But these cost saving options have their drawbacks.

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